From north to south, and back again- I’m welcomed home by a snowy owl. After spending five weeks amongst the barred. Now, Minnesota- under siege, spun open, small circles binding beLoved neighborhoods. These words allows me to queer again my intimacy with place, pain, the plurality of love and hate.
Owls by Mary Oliver
In January and February I walk in the woods and look for a large nest in a tall tree. In my mind’s eye I see the great horned, the early nester, sitting upon her bulk of sticks, like an old woman on a raft.
At night, when the owl is less than exquisitely swift and perfect, the scream of the rabbit is terrible. But the scream of the owl, which is not of pain and hopelessness and the fear of being plucked out of the world, but of the sheer rollicking glory of the death-bringer, is more terrible still. When I hear it resounding through the woods, and then the five black pellets of its song dropping like stones into the air, I know I am standing at the edge of the mystery, in which terror is naturally and abundantly part of life, part of even the most becalmed, intelligent, sunny life — as, for example, my own. The world where the owl is endlessly hungry and endlessly on the hunt is the world in which I live too. There is only one world.
Sometimes, while I have stood listening to the owl’s song drifting through the trees, when it is ten degrees above nothing and life for any small creature is hard enough without that, I have found myself thinking of summer fields. Fields full of flowers — poppies or lupines. Or, here, fields where the roses hook into the dunes, and their increase is manyfold. All summer they are red and pink and white tents of softness and nectar, which wafts and hangs everywhere — a sweetness so palpable and excessive that, before it, I’m struck, I’m taken, I’m conquered; I’m washed into it, as though it was a river, full of dreaming and idleness — I drop to the sand, I can’t move; I am restless no more; I am replete, supine, finished, filled to the last edges with an immobilizing happiness. And is this not also terrible? Is this not also frightening?
Are the roses not also — even as the owl is — excessive? Each flower is small and lovely, but in their sheer and silent abundance the roses become an immutable force, as though the work of the wild roses was to make sure that all of us, who come wandering over the sand, may be, for a while, struck to the heart and saturated with a simple joy. Let the mind be teased by such stretches of the imagination, by such balance. Now I am cringing at the very sound of the owl’s dark wings opening over my head — not long ago I could do nothing but lounge on the sand and stare into the cities of the roses.